Based on the hypothesis that in the cinema. a shot worked in the style of a picture doesn’t “stop” the storyline but expands the linear narrative with tabular semiotics and artistic references. this article analyzes the exemplary and recurring case of the shots which reconstitute Leonardo da Vinci’s Last Supper as a “living picture”. Christus (Giulio Antamoro. https://smokeysmountainfurnitureoutlets.shop/product-category/bed-pillow/